Harold Pinter’s plays have always scared me to death. Where do you begin? Where do you end? Is there an end? Is there a beginning?
Other Desert Cities
What is it about the American family that playwrights continue to find so irresistible? Maybe it’s the fact that the characters are often unique, compelling, and clearly unhinged, or that the storylines are bizarre and impossible to predict, or that running through it all are epic emotions that have little to nothing to do with reason.
H20
The Last Days of Judas Iscariot
Dusk Rings A Bell
I’ve always been fascinated by ghosts. Not the ones in a white sheet that go bump in the night, but the ones that follow us around step by step, breath by breath, so silently you rarely sense they’re there. But they are there. Always. Inevitably. Tugging at the present with the ferocity of a rabid dog.